In its Constitution, The Varsitarian, the official student publication of the University of Santo Tomas, the Catholic University of the Philippines, commits itself to the 鈥渇ormation of the social, intellectual, spiritual, and artistic consciousness of the Thomasian studentry as well as the community at large by providing free rein to creative expressions that follow journalistic and aesthetic tenets and uphold universal human values.鈥�
Founded in 1928 by students led by Jose Villa Panganiban, the first director of the National Language Institute, the Varsitarian became a fortnightly publication with a monthly magazine. The paper鈥檚 sections include news, opinion, sports, special reports, features, literary, Filipino, religion (鈥淲itness鈥�), science and technology, and lifestyle, culture and the arts (鈥淐ircle鈥�).
The Varsitarian is among the co-founders of the College Editors鈥� Guild of the Philippines and was the only campus paper cited in the premiere edition of the Encyclopedia of the Arts of the Cultural Center of the Philippines.
In 2000, the Varsitarian website was launched to reach out to alumni here and abroad, as well as to the general public. A digital-first strategy adopted in 2015 eased the pressure on the print edition, with most content uploaded first on the website, www.varsitarian.net, and distributed through the 痴补谤蝉颈迟补谤颈补苍鈥檚 widely followed social media accounts.
The Varsitarian has become one of the country鈥檚 influential campus papers because of its news coverage and fiery opinion pieces. Aside from being a paper for the Thomasian community and a chronicler of campus events, it covers important national events and the Church. The late University historian, Fr. Fidel Villarroel, O.P., considers the Varsitarian, along with Unitas and Boletin Eclesiastico de Filipinas, one of the 鈥淭ria Haec鈥� (鈥淭hese Three鈥�) of University publications, 鈥渃ontemporaneous to the theological virtues carved in stone鈥� on top of the UST Main Building and 鈥渁s healthy, vigorous and durable鈥� as the earthquake-proof structure of Fr. Roque Rua帽o, O.P.
JOSELITO B. ZULUETA
Publications Adviser
FELIPE F. SALVOSA, II
Assistant Publications Adviser
CHRISTIAN V. ESGUERRA
Assistant Publications Adviser
JOHN EZEKIEL J. HIRRO
Editor in Chief
KATRINA ISABEL C. GONZALES
Associate Editor
It took more than three centuries since its foundation before UST came up with its own official school paper. It needed the resourcefulness and courage of Jose Villa Panganiban (who later became the head of the National Language Institute) and the other founding fathers before the wish of having “something to write on” was realized. Indeed, putting up a school paper then was next to the impossible 鈥� financially and administratively.
One day in September 1927, a group of young Thomasians under the leadership of Panganiban, gathered at the University restaurant. The group drafted a petition addressed to the Rector, Rev. Fr. Serapio Tamayo, O.P., calling for the establishment of an official student organ in UST. The idea, however, became an unhappy victim of the Filipino ningas cogon. Instead, the UST Literary Club was organized. It received official sanction from the Father Rector in December of the same year.
Despite the pessimism of everyone, of even some of the initiators themselves, about the feasibility of a student paper in the University, the club, under the presidency of Pablo Anido (a junior medical student), revived the original plan of putting up a college paper.
At the same time, Panganiban, who was then working as a hotcake cook in the University restaurant, wrote a letter to the Father Rector and presented his views about the matter: “There are 2,000 students in Santo Tomas. Let us admit that 1,000 of these are slackers, but we still have 1,000 students to help us in the undertaking. At [a] 50-centavo subscription from each of the latter, we can publish a college paper that will live until March 1928 at least. Besides, there is income from the advertisements, and this will help a great deal.”
Prof. John Jefferson Siler of the English department and one of the moderators of the Literary Club admitted that the suppositions of the hotcake man were really convincing. So after a series of correspondences and conferences with the Father Rector and University authorities, and with the support of Professor Siler, the Father Rector gave his approval.
Consequently, on the morning of January 16, 1928, the maiden issue of the Varsitarian came off the press. Anido became the first editor in chief of the Varsitarian, with Panganiban, the hotcake man and fondly dubbed the “Father of the Varsitarian,” as the associate editor, business manager and editor of the Alumni and Humor sections. Rev. Fr. Juan Labrador, O.P. (Dean of Liberal Arts) and Professor Siler became the first moderators.
UST became an internment camp for about 3,000 to 4,000 civilians during the war, from January 1942 to February 1945. Consequently, the war interrupted the Varsitarian鈥檚 publication for three years.
Hundreds of internees inside UST celebrate their release in 1945.
The education building (currently the UST hospital building) during the World War II
The 鈥榁鈥� marked the country鈥檚 independence from American rule on July 4, 1946 with a special issue.
The Varsitarian resumes publication in 1945 with an obvious preference for literary writing.
The monthly Varsitarian magazine became a total literary magazine when Francisco Sionil Jose, who later became National Artist for Literature, became editor in chief.
The Varsitarian kept the fire burning and urged Thomasians to resist the Marcos regime. The Varsitarian continued publication during the Martial Law even when most national newspapers were shut down. UST officials cautioned the official student publication against publishing anti-Marcos sentiments, but the V continued to urge Thomasians to resist the repression of the Marcos dictatorship.
The Varsitarian volunteered to be part of the National Citizen鈥檚 Movement for Free Elections (Namfrel) to guard against fraud during the snap elections of 1986.
The Varsitarian recorded history during the Edsa People Power revolution in 1986, which saw the collapse of dictatorship and the restoration of democracy.
A V special report in 2001, titled 鈥淪truggle against the System,鈥� exposed corruption in the Reserve Officer Training Corps (ROTC) program and led to the killing of Mark Welson Chua, an engineering student and an ROTC cadet. Chua was the source of the V鈥檚 investigative report. His death resulted in the abolition of mandatory ROTC in the college level.
The Varsitarian has chronicled four papal visits: the first by the Blessed Paul VI in 1970, the second and third by Saint John Paul II in 1981 and 1995, and the latest by Pope Francis in 2015.
The Varsitarian released a special issue on John Paul II鈥檚 visit in 1981, which saw the first beatification rites (of Lorenzo Ruiz) outside the Vatican.
In 1995, another special issue was published for the John Paul II鈥檚 visit and the country鈥檚 hosting of World Youth Day. The V called the Holy Father鈥檚 visit the 鈥渕ost unforgettable 11 days in the history of UST.鈥�
Ten years later, upon the death of John Paul II, the V paid tribute to the saint-pope鈥檚 legacy of faithfulness and service to the Church.
For Pope Francis鈥� visit, the Varsitarian released a special issue titled 鈥淟earn how to Love: Francis in UST, The Fourth Papal Visit,鈥� recounting the Holy Father鈥檚 memorable encounters with Thomasians.
Known as a contemporary storyteller and a literary giant to generations of Filipino English writers, Paz Latorena joined the Varsitarian and became literary editor in the 1930s after transferring to UST from the University of the Philippines-Manila to pursue her education degree. Latorena became a professor in the former Faculty of Philosophy and Letters where she became a mentor to other 鈥榁鈥� alumni and titans in Philippine letters such as F. Sionil Jose, Ophelia Dimalanta and Alice Colet-Villadolid.
Former 鈥榁鈥� editor and National Artist for Literature, F. Sionil Jose, is the country鈥檚 best bet for the Nobel Prize. Jose is known for his Rosales Saga, a series of novels on the Philippines鈥檚 history from the colonial period to the onset of Martial Law. The novel is rivaled only by Jose Rizal鈥檚 literary works, according to Time magazine.
Adoracion 鈥淒oris鈥� Trinidad-Gamalinda was Varsitarian literary editor and wrote for the Manila Times before it closed during Martial Law. She eventually became associate editor of Focus Magazine. Gamalinda also became the publications head of the National Media Production Center, an editor of the People鈥檚 Magazine and Woman鈥檚 草榴视频 Companion Magazine. Her son, Eric Gamalinda, became 鈥榁鈥� literary editor.
Lady Polyester and Love Woman were titles ascribed to Ophelia Dimalanta by her students. She was literary editor of the Varsitarian who became the the University鈥檚 beacon of literary excellence. Dimalanta founded the UST Center for Creative Writing and Literary Studies.
Cirilo Bautista, a poet laureate and National Artist for Literature was a 鈥榁鈥� literary editor. He has won multiple accolades in the Carlos Palanca Memorial Awards for poetry, fiction and essays in Filipino and English. Bautista was also the only Filipino to receive an honorary degree from the University of Iowa.
A poet, master critic, librettist and literary talisman of sorts, Bienvenido Lumbera was hailed as National Artist for Literature in 2006. Lumbera was a literary editor of the 鈥榁鈥� and graduated cum laude from UST鈥檚 journalism program. He received his M.A. from the same University and obtained his Ph.D. in comparative literature from Indiana University. He is Professor Emeritus at the University of the Philippines College of Liberal Arts.
Cristina Hidalgo, who was editor in chief from 1964 to 1965, is one of the country鈥檚 foremost writers of fiction and creative non-fiction. A scholar and critic, she is the director of the UST Center for Creative Writing and Literary Studies and a Professor Emeritus of the University of the Philippines, where she served as vice president for public affairs and director of the UP Press.
Visual artist and art critic Jeremias Elizalde Navarro once graced the 痴补谤蝉颈迟补谤颈补苍鈥檚 staff box when he became the publication鈥檚 art editor. Navarro was hailed National Artist for the Visual Arts in 1999. Navarro was a sculptor and painter.
Rogelio Sikat was a novelist, playwright and author of the renowned and award-winning short story, 鈥淚mpeng Negro,鈥� which had a film adaptation. He was 鈥榁鈥� literary editor and was one of the pioneers of modern Filipino literature.
Gloria Goloy became literary editor and associate editor of the 鈥榁鈥�. She took up journalism and graduated cum laude in 1950. Goloy went on to make a name for herself in journalism, including in sports coverage. She worked for different publications including Philcross Magazine, Manila Times Annual Yearbook, Weekly Women鈥檚 Magazine, Sunday Times Magazine, The Manila Times, and Express Sports Magazine. Her literary works were published in some of the country鈥檚 most influential magazines, such as the Philippine Free Press
Press freedom icon Jose 鈥淛oe鈥� Burgos, Jr., joined the Varsitarian in the mid-1960s. He was a stalwart of the 鈥渕osquito press鈥� that exposed controversies about the Marcos dictatorship during Martial Law. Burgos put up the broadsheet Malaya. He was tagged by the International Press Institute as one of the world鈥檚 鈥淧ress Freedom Heroes of the Century鈥� in 2000.
Vicente Rosales Sr. served as 鈥榁鈥� editor in chief in 1952, 1953 and 1954 to 1955 and senior associate editor in 1953 to 1954 and 1955 to 1956. He topped the medical board exams in 1956 and headed the Philippine Medical Association. He also became publications adviser. He passed away at the age of 80 on June 18, 2012. His son, Vicente 鈥淏ambi鈥� Rosales, Jr., also became editor in chief of the 鈥榁鈥�.
Francisco 鈥淜it鈥� Tatad, literary editor in 1960, became a journalist for Agence France-Presse, Manila Bulletin and several other agencies before entering politics. He was appointed by former president Ferdinand Marcos as Minister of Public Information. Tatad served as senator from 1997 to 2001.
鈥楺uadricentennial Rector鈥� Fr. Rolando de la Rosa, O.P. was the V鈥檚 witness editor in the late 1970s. He first served as University rector for two terms, from 1990 to 1998. He was appointed chairman of the Commission on Higher Education in 2004. De la Rosa was re-elected to another term as UST Rector, from 2008 to 2012, leading the University on its 400th year.
Arsenio Lacson, UST law alumnus and former Varsitarian staffer, was believed to be the best president the country never had aside from Benigno Aquino Jr. Lacson was a journalist before shifting to a political career. He was a congressman under the Nacionalista Party and served as Manila mayor from 1952 to 1962.
Emmanuel Pelaez, Vice President of the Philippines from 1961 to 1965, was a staffer of the 鈥榁鈥�. He was appointed Philippine ambassador to the United States in 1986 by President Corazon Aquino. Pelaez topped the bar examinations in 1938 and became a legislator. He died in 2003.
Artemio Casas was appointed the first bishop of Imus, Cavite in 1961. He studied at the UST Central Seminary and San Juan de Letran College. In 1968, he became auxiliary bishop of Manila. He became archbishop of Jaro in 1974 and served until 1989.
Pablo T. Anido
January 鈥� March 1928
Jose Villa Panganiban
1928 鈥� 1930
Ricardo C. Dulay
1930 鈥� 19318
Efren C. Pe帽a
1931 鈥� 1932
Virgilio Floresca
April 鈥� June 1932
Rafael David Jr.
July 1932 鈥� 1934
Virgilio Pobre-Y帽igo听 1934 鈥� 1935
Teodoro F. Valencia 1935 鈥� 1936
Pedro A. Revilla 1936 鈥� 1937
Rufino R. Pascual June 鈥� October 1937
Juan T. Ataviado
November 1937 鈥� 听June 1938 (Board of Editors)
Zacarias P. Nuguid, Jr. November 1937 鈥� 听June 1938 (Board of Editors)
Jose L. Guevara November 1937 鈥� June 1938 (Board of Editors)
Dion Castillo-Y帽igo
December 1938 鈥� June 1939
Andres E. Francia
1939 鈥� 1940
Bonifacio B. Bondoc
1940 鈥� 1941
Miguel V. Casals
April 鈥� May 1941
Francisco de Leon
June 鈥� December 1941 (Board of Editors)
Manuel Salak Jr.
June 鈥� 听December 1941 (Board of Editors); 1947
Antonio M. Molina
June 鈥� 听December 1945
Eleno Mencias
December 1945 鈥� 1946
Santiago Artiaga Jr.
1946 鈥� 1947
Francisco Sionil Jose
1948 鈥� 1949
Constante C. Roldan
1949 鈥� 听1950
Gloria C. Garchitorena
April 鈥� May 1950 (Board of Editors)
Eric C. Giron
April 鈥� May 1950 (Board of Editors)
Antonio R. Infante
April 鈥� May 1950 (Board of Editors)
Ramon J. Lopez
1951 鈥� 1952
Vicente J.A. Rosales, Sr.
1952 鈥� 1953; 1954 鈥� 1955
Benjamin E. Agarao
1953 鈥� 1954
Julio S. Macaranas
1955 鈥� 1957
Bienvenido M. Cube
1957 鈥� 1958
Herminigildo A. Azarcon
1958 鈥� 1960
Jose T. Flores
1960 鈥� 1962
Virginia Jean M. Pope
1962 鈥� 1964
Ma. Cristina L. Pantoja
1964 鈥� 1965
Aurelio G. Pangilinan
June 鈥� December 1965
Bernardo C. Bernardo
1966 鈥� 1967
Alfredo Marquez
1967 鈥� 1968
Hernando A. Masangkay
1968 鈥� 1969
Hernando听 V. Gonzales II
1969 鈥� 1970
Rosalinda M. de Leon
June 鈥� December 1970
Josefina D. Dawatis听 December 1970 鈥� July 1971 (Board of Editors)
Carolina A. Nu帽ez听
December 1970 鈥� July 1971 (Board of Editors); July 鈥� October 1971; December 1971 鈥� 1972
Ricardo R. Santi
December 1970 鈥� July 1971 (Board of Editors); October 鈥� December 1971 (Board of Editors)
Socorro E. Fuentecilla听
1971 (Board of Editors)
Concepcion M. Alano
1971 (Board of Editors)
Ma. Corazon S. Evangelista听 1972 鈥� 1973
Gloria S. Castro
1974 鈥� 1975
Regina B. Jimenez
1975 鈥� 1976
Jesselynn Garcia
1976 鈥� 1977
Oscar F. Picazo
1977 鈥� 1978
Maria Angelica S. Bautista
1978 鈥� 1979
Eugenio Jose F. Ramos
1979 鈥� 1980
Saturnino P. Javier
1980 鈥� July 1981
Benjamin G. Co
August 1981 鈥� 1982 (Board of Editors)
Vicente G. Rosales, Jr.
August 1981 鈥� 1982 (Board of Editors
Anniela R. Yu
August 1981 鈥� 1982 (Board of Editors)
Maria Regina S. Bautista
1984 鈥� 1985
Julius Caesar J. Dalupang
1985 鈥� 1986
Noel Martin S. Bautista
1986 鈥� 1987
Victor Emmanuel 鈥淰im鈥� Carmelo Nadera, Jr.
1987 鈥� 1988
Robin S. Sarlabus
1988 鈥� 1989
Andres B. Saracho
May 1989
Lea Marie C. Yap
1989 鈥� 1990
Caesar R. Certeza
1990 鈥� 1991
Ulpiano B. Dulguime
1991 鈥� 1992
Karina D. Torralba
1992 鈥� 1995
Don Robespierre C. Reyes 1995 鈥� 1997 (Board of Editors)
Elizabeth B. Mapula
1996 鈥� 1997 (Board of Editors)
Joseph Arisreed A. Marquez
1996 鈥� 1997 (Board of Editors)
Henry Barrameda听
April 鈥� May 1997, 1997 鈥� 1998 (Board of Editors)
Christian V. Esguerra
1998 鈥� 2000
Felipe F. Salvosa II
2000 鈥� 2001
Reyann V. Kong
2001 鈥� 听2002
Marlon M. Castor
2002 鈥� 2003
John Ferdinand T. Buen (Editorial Board)
2003 鈥� 2004
Joanne G. Fernardo (Editorial Board)
2003 鈥� 2004
Dexter R. Matilla (Editorial Board)
2003 to 2004
Eldric Paul A. Peredo
2004 鈥� 2006
Nicolo F. Bernardo
2006 鈥� 2007
Andrew Isiah P. Bonifacio
2007 鈥� 2008 (Executive Editor)
Anthony Andrew G. Divinagracia
2007 鈥� 2008; 2008
Emil Karlo A. Dela Cruz
2009 鈥� 2010
Cliff Harvey C. Venzon
2010 鈥� 2011
Alexis Ailex C. Villamor, Jr. 2011 鈥� 2012
Rafael L. Antonio
2012 鈥� 2013
Lorenzo Luigi T. Gayya
2013 鈥� 2014
Ralph Joshua D.R. Hernandez
2014 鈥� 听2015 (Editorial Board); May 2015
Gracelyn A. Simon
2014 鈥� 听2015 (Editorial Board)
Sarah Mae Jenna A. Ramos
2014 鈥撎� 2015 (Editorial Board)
Lord Bien G. Lelay
2015 鈥� 2016
Kathryn V. Baylon
2016听 鈥� 2017
Amierielle Anne A. Bulan
2017 – 2018
Christian Delano M. Deiparine
2018 – 2019
Eugene Dominic V. Aboy
2019-2020
John Ezekiel J. Hirro
2020-2021
V鈥檚 first Lampoon issue: Pancitarian
The Varsitarian released its first lampoon issue, 鈥淭he Pancitarian鈥� in March 1928 with Arca la Monta as the cartoonist. It was the predecessor of the more popular 鈥淰uisitarian,鈥� which began in 1970.
The Vuisitarian
The UST administration, headed by Rector Fr. Leonardo Z. Legaspi, was not pleased after the Varsitarian published its controversial lampoon issue, The Vuisitarian. It was released on Oct. 14, 1970. Twenty-one staffers were expelled from UST, and an internal problem became a national issue. Only six staffers were able to return
327th UST Day Number: First magazine (1938)
In celebration of the 328th UST Day, the Varsitarian released its first magazine on Nov. 10 1938.
UST toward its fifth century
The Varsitarian showcased the year-long festivities during UST鈥檚 Quadricentennial year and entry into its fifth new century by releasing the Quadricentennial and Neo-centennial supplement magazines.
Montage, the V鈥檚 literary magazine
Known as a training ground for literary legends, the Varsitarian has been releasing literary supplement magazines regularly. It was renamed 鈥楳ontage鈥� in honor of poetess Ophelia Dimalanta in 1998.
Breaktime
听The 痴补谤蝉颈迟补谤颈补苍鈥檚 feature magazine showcased inspiring stories of well-known Thomasian personalities in television, film, music, business, art, architecture and other fields.
Tomasino Magazine
The Varsitarian released its profile magazine, 鈥淭omasino Magazine鈥� in 2010. It highlighted thriving Thomasians during their years in the University such as Cannes Film Best Director Brillante Mendoza, Television Host Alejandro 鈥淜uya Kim鈥� Atienza and Health Secretary Francisco Duque III, among others.
Sports Supplements
With UST as the home of budding sports stars, The Varsitarian has produced special issues highlighting the University鈥檚 notable sports personalities and champion teams.
Heaven鈥檚 Kitchen
In 2002, The Varsitarian released a book of prayer reflections, 鈥淗eaven鈥檚 Kitchen,鈥� to help strengthen the faith of Thomasian readers.听
Botomasino: covering the UST student elections
The Varsitarian aids Thomasians in voting wisely for student council bets in the UST Central Student Council through its special supplement 鈥淏otomasino.鈥�
Creative Writing Workshop
The 痴补谤蝉颈迟补谤颈补苍鈥檚 Creative Writing Workshop is an annual seminar-fellowship conducted by some of the country鈥檚 leading litarary figures before a pool of Thomasian student-writers. The former Fiction Writing Workshop started in 2004. The new name was adopted in 2013. The three-day workshop involves extensive discussions on the writers鈥� pieces from Fiction, Katha, Poetry, and Tula categories
UST National Campus Journalism Awards
The Varsitarian launched the first UST journalism awards in 2015 for campus publications in the Philippines to give recognition to student journalists who have written exemplary works in the feature writing, in-depth news, and editorial categories.
Inkblots
As part of its outreach, the Varsitarian holds Inkblots, the UST national campus journalism fellowship, annually. The three-day seminar workshop on the basics of journalism began in 1999 under the Varsitarian editor in chief, Christian Esguerra.
Gawad Ustetika
The roots of the UST鈥檚 most prestigious literary derby, Ustetika, can be traced back to 1946 when the Varsitarian first organized a literary contest as a Christmas offering to the Thomasian community. Seeking to revive the 痴补谤蝉颈迟补谤颈补苍鈥檚 defunct literary tilt, editor in chief Victor Emmanuel Carmelo Nadera, Jr. founded Gawad Ustetika (combination of words 鈥淯ST鈥� and 鈥渁esthetics鈥�) in 1985. Since then, the Ustetika became the breeding grounds of versatile Thomasian writers who would later become big names in the country鈥檚 literary scene.
Rector’s Literary Award
The Rector’s Literary Award is bestowed by the Rector Magnificus himself to Gawad Ustetika winning writers whose works best exemplify Christian values. Award-winning playwright Rodolfo “Jun” Lana Jr. was the first to win this said award in 1991.
Parangal Hagbong
Launched in 1997 during the 13th Ustetika, the first Parangal Hagbong feted two great Thomasian writers and former Varsitarian staff members, Roland Tinio and Rogelio Sikat. The event later became a fixture in the annual Ustetika. It has since been awarded to Cirilo Bautista, Bella Abangan, Nick Joaquin, F. Sionil Jose, and Bienvenido Lumbera. The name of the award was based on the Tagalog term Hagbong, a crown of leaves given to those who excelled in the arts and letters. It was founded by Ro-Charmaine Pidal, news editor and chairperson of the 13th Ustetika.
Pautakan
Pautakan is the annual UST intercollegiate quiz contest. Founded in 1977 under editor in chief Jesselyn Garcia-de la Cruz, the intercollegiate competition pits the faculties and colleges of UST against each other in a day-long battle of the brains. The contest was officially renamed 鈥淧autakan鈥� in 1982.
Josefino Dacanay drew the first Varsitarian comic strip in the second issue on Feb 1, 1928. It was a four-frame illustration depicting campus life, titled “Who said we don’t have UST spirit? Or a story without words?”
In 1948, art director and National Artist for Visual Arts Jeremias Elizalde Navarro introduced “Varsitilaffs,” predecessor of the present-day Limelight section. It was a one-box illustration with a catchy caption ridiculing University life.
In 1954, the “V” staffers published caricatures of staffers in the annual Christmas edition, a tradition that has remained today.
In more than nine decades of campus life, Tomas U. Santos has stood the test of time and continues to bring laughter to every reader. Tomas U. Santos is a happy-go-lucky architecture student juggling his school and social life. This 27-year-old character was introduced in 1986 by Michael Marbella. He portrays the daily life of an ordinary Thomasian.
While the 鈥淰鈥� keeps its traditional masthead in the website, it used a more modern font for its social media pages in its 2016 rebranding.
The 鈥榁鈥� has extended its reach to more than 150,000 Facebook followers and 85,000 Twitter followers.
In 2016, the 鈥榁鈥� website was rebranded and now features a user-friendly and aesthetically engaging interface. The rebranded website was launched in 2016 during the 18th Inkblots.
Facebook鈥檚 development has also maximized the 痴补谤蝉颈迟补谤颈补苍鈥檚 multimedia coverage through Facebook live, and periodically uploaded content such as the weekly news segment titled News Wrap and informative short videos featuring the history of the UST Museum, among others.
Both Facebook and Twitter pages carry weekly creative material such as TomaSalitaan, which features definitions of Filipino words and TomaSining, which fetes pieces of former Gawad Ustetika nominees paired with artwork from the 痴补谤蝉颈迟补谤颈补苍鈥檚 art team.
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